1420s — 1450s · NORTHERN ITALY
Tarot Was Not Born
for Divination
Begin a 600-year journey with the people who played their cards at the table.
Begin a 600-year journey to Tarot before divination.
Picture a Tarot card.
The Fool. The Lovers. Death. The Star. The Moon. The Sun.
Strange names and strange pictures.
We draw a card and use what it shows us to think about ourselves and what may lie ahead. Today, when most people hear the word “Tarot,” divination is probably the first thing that comes to mind.
Without knowing its history, it would be natural to imagine that someone long ago created 78 cards in order to see the future.
But that is not how the story began.
THE FIRST CLUETarot was not originally
It was a game.
a tool for divination.
In this first part, we will turn the clock back about six centuries and visit the beginning of Tarot.
01 · BEFORE TAROT
Playing cards came
before Tarot
We begin a little before Tarot itself appeared.
Playing cards began to spread through Europe around the fourteenth century. Card games have an older history still, and are thought to have travelled from Asia into the Middle East.
By the middle of the fourteenth century, cards probably reached European cities such as Venice from the Middle East through trade and other forms of contact.
Playing cards came
before Tarot.
Tarot did not suddenly appear out of nowhere. It grew out of a card-playing culture that was already spreading.
Card games became popular in Europe among many different levels of society, not only among the powerful. They were also used for gambling. Their popularity may help explain why cities and religious authorities left records of attempts to prohibit or condemn card playing.[1]
There were probably people being told to stop playing and get back to work more than six hundred years ago. Some things do not change very much.
Then, in the fifteenth century, an unusual kind of card game appeared in what is now Italy. This is where the history of Tarot begins.
02 · A NEW GAME
New cards appear in
fifteenth-century Italy
The earliest surviving references to Tarot date from the 1440s and 1450s. They are concentrated in Renaissance Italy, in places such as Milan, Venice, Florence and Urbino.[2]
People there played a game that added a special set of trump cards to an ordinary pack.
“Trump” here has essentially the familiar card-game meaning: a card with the power to beat others.
Tarot developed as a trick-taking game, in which players take turns playing cards and compete to win each trick.[2]
You do not need to remember the phrase “trick-taking.” For now, it is enough to know that people played cards against one another to win.
The story does not begin with a fortune-teller turning over cards in a mysterious room. It begins with people holding cards and playing a game.
Card games spread
through Europe
Records of Tarot
in northern Italy
A game built around
special trumps
03 · FOUR SUITS
Cups, Swords,
Batons and Coins were already there
What did a fifteenth-century Tarot pack contain?
This is where anyone who has seen a modern Tarot deck begins to recognize something familiar. The cards already belonged to four suits.
These are the ancestors of the Cups, Swords, Wands and Pentacles found in Tarot today.
Each suit contained cards numbered from one to ten, together with four court cards: page, knight, queen and king.
Today we call these 56 cards the Minor Arcana. People in the fifteenth century did not use that name; “Minor Arcana” belongs to a later period.
From our point of view, however, the ancestor of the Minor Arcana was already present.
04 · THE TRUMPS
Then came twenty-two
mysterious cards
This is where Tarot separates itself from an ordinary pack. Alongside those 56 suit cards were cards bearing special pictures.
The Emperor.
The Pope.
Love.
The Wheel of Fortune.
Death.
The Sun.
The World.
And the Fool.
Anyone who knows modern Tarot may think, “Those are the Major Arcana.” The name “Major Arcana” is later, too, but the cards that would become its ancestors were already here.
Twenty-one of them served as special trumps in the game. A single Fool had a somewhat different role.
That is the same number found in a standard Tarot deck today.
This does not mean that the modern pack suddenly appeared in finished form. The order of the cards varied from one region to another, and some trumps did not yet carry the numbers we expect today.
Even so, the framework that would lead to the modern pack of 78 cards was already in place roughly six hundred years ago.
05 · ALLEGORY
If it was not divination, why
show Death and Fortune?
At this point, something may seem strange.
A game could work with nothing more than numbers and relative strengths. Why go to the trouble of depicting such weighty ideas as Death, Fortune, Love, the Emperor and the World?
The important point is that pictures full of meaning do not prove that the cards began as divination.
In Europe at the time, artists often gave visible human or material forms to invisible ideas such as Justice, Fortune and Death. This form of expression is called allegory.
In that sense, early Tarot pictured the world in which its makers and players lived.
There is power.
There is love.
There is justice.
There is fortune.
There is age.
And there is death.
The cards were not yet used for divination. But the material that later generations would want to interpret was already present.
06 · THE SURVIVING CARDS
See Tarot from more than
five hundred years ago
After travelling this far into the past, you may wonder whether any Tarot cards this old really survive.
They do.
Among the best-known fifteenth-century examples is the Visconti-Sforza Tarot.
You do not need to remember the name. The important thing is that we can still look at genuine Tarot cards made more than five centuries ago.
The cards are associated with the powerful Visconti and Sforza families of Milan and are thought to have been made around the middle of the fifteenth century. The Morgan Library & Museum in New York holds 35 of them. A complete pack of 78 has not survived intact, but these cards, together with those in other collections, are exceptionally important evidence for early Tarot.[4]
Let us see whether they really do lead toward the Tarot we know.
The Wheel of Fortune
First, the Wheel of Fortune.
A wheel fills the center as people climb up one side and fall down the other. At its heart is a figure representing Fortune.
Someone at the top may one day descend. Someone below may rise. Fortune keeps turning.
The picture differs from the Wheel of Fortune we see today, yet the idea beneath it is already familiar.
Death
Next comes Death.
This one is easy to recognize. It shows a skeleton.
Although the card is more than five hundred years old, most people shown the picture would probably answer “Death” when asked what it represents.
The details change, but we can see a continuous human way of giving visual form to death.
The Fool
Then there is the Fool.
Many people who know modern Tarot picture a young traveller carrying a bundle near the edge of a cliff.
This Fool from more than five hundred years ago looks very different. He wears ragged clothes, has feathers in his hair and carries a staff.
He is nothing like the splendid Emperor or Empress. He is not an important person at the center of society, but someone who appears to stand outside its ordinary order.
Why did this figure receive a role different from the other trumps? As we follow Tarot through history, the Fool becomes a particularly fascinating card. We will return to him.
And the Five of Cups
One last card: the Five of Cups.
Readers familiar with modern Tarot may be surprised. What does it show? Almost literally, five cups.
There is no person and no scene of grief. Five vessels are arranged with care.
This is every bit as much a Tarot card. In fact, this form is older.
Many widely used modern decks give the Minor Arcana people, landscapes and narrative scenes. So when, and by whom, were the Minor Arcana turned into “story pictures”?
That answer lies far ahead, at the beginning of the twentieth century. Keep this Five of Cups in mind. It will return later in our journey.
07 · STILL A GAME
It was a game.
And yet...
Looking at cards made more than five centuries ago produces a curious feeling.
There is a Wheel of Fortune.
There is Death.
There is a Fool.
There are Cups.
They clearly lead toward Tarot today. Yet their original players were not using them to ask about love or to question the cards about the future.
Fifteenth-century Tarot was first of all a card game. Its deep association with divination and esoteric thought came centuries later.
And yet.
From the beginning, the cards contained love and justice, fortune and death, the Sun and the World.
They were not created for divination,
yet from the beginning their pictures
made us want to think about being human.
This is one of the most interesting things about the history of Tarot.
It becomes a little easier to understand why later generations might look at the cards and wonder whether they were more than a game.
But that change still lies a long way ahead.
08 · TO BE CONTINUED
Tarot is not
divination yet
Card games spread through Europe around the fourteenth century. In fifteenth-century Italy, Tarot emerged from that culture of play.
It already contained 56 cards leading to the modern Minor Arcana, 21 trumps leading to the Major Arcana, and the Fool.
Over nearly six hundred years, those cards would change. Tarot travelled beyond Italy, and its pictures gradually changed with it.
Along that long road, an exceptionally important tradition appears.
If the name is unfamiliar, that is fine. It is where the next part begins.
The answer is not as simple as the name suggests. Our six-hundred-year journey has only just begun.
SOURCES & IMAGE RIGHTS
Sources and image rights
The historical account was checked primarily against public material from museums and collection records. The four fifteenth-century works shown here use files explicitly marked public domain on Wikimedia Commons. Images hosted by the Morgan itself were not downloaded because the museum limits that use to noncommercial contexts.
- 1
The Metropolitan Museum of Art
The World in Play: Luxury Cards, 1430–1540View the exhibition page - 2
Tim Husband, The Metropolitan Museum of Art (2016)
Before Fortune-Telling: The History and Structure of Tarot CardsRead the article - 3
The Morgan Library & Museum
Tarot Trump Cards — the visual language of Renaissance allegoryRead the museum essay - 4
The Morgan Library & Museum
Visconti-Sforza Tarot Cards, MS M.630.1–35View the collection record - 5
Wikimedia Commons
File pages and public-domain statements for the four reproduced imagesView the image category - 6
The Morgan Library & Museum
Terms and Conditions — Image useRead the image-use terms